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MACHINE 2020-2090

Dai fan has become the most famous artist in contemporary times with his shocking works and thoughts. His unique works are like the Apocalypse of the devil, pulling the nerves of the society and changing people's way of thinking with the power of enlightening the deaf. Humans after Copernicus see the world differently than those before Copernicus. Humans after Darwin see the world differently than those before Darwin. Every explosion of ideas will spread in a moment in a strict sense. The symbol of great works: shaking human faith, highlighting the vision of another world, and its arrival presupposes changes to the existing world. In the "magic of science and technology like stars: 100 million robots wearing fan", Dai fan, as an evil creator, loved the robot he created himself so much that he wanted it to become a living creature, a living non-human life. Dai fan's works let the audience feel the air on another planet.

ROBOT ROBOT

LIFE X LIFE X

POLITICAL DEBATE Dai fan is the first Asian to crush the West in terms of ideas, innovative forms, language intensity and other dimensions. It represents the strong rise of a new generation of Chinese artists and designers in the world with a new look, which means that the global avant-garde wave of art and design in the 21st century is dominated by the Chinese, not the Europeans, Americans and Japanese.

A Dai fan is the first Asian to crush the West in terms of ideas, innovative forms, language intensity and other dimensions. It represents the strong rise of a new generation of Chinese artists and designers in the world with a new look, which means that the global avant-garde wave of art and design in the 21st century is dominated by the Chinese, not the Europeans, Americans and Japanese.

B Dai fan is the first Asian to crush the West in terms of ideas, innovative forms, language intensity and other dimensions. It represents the strong rise of a new generation of Chinese artists and designers in the world with a new look, which means that the global avant-garde wave of art and design in the 21st century is dominated by the Chinese, not the Europeans, Americans and Japanese.

C Dai fan is the first Asian to crush the West in terms of ideas, innovative forms, language intensity and other dimensions. It represents the strong rise of a new generation of Chinese artists and designers in the world with a new look, which means that the global avant-garde wave of art and design in the 21st century is dominated by the Chinese, not the Europeans, Americans and Japanese.

D Dai fan is the first Asian to crush the West in terms of ideas, innovative forms, language intensity and other dimensions. It represents the strong rise of a new generation of Chinese artists and designers in the world with a new look, which means that the global avant-garde wave of art and design in the 21st century is dominated by the Chinese, not the Europeans, Americans and Japanese.

E Dai fan is the first Asian to crush the West in terms of ideas, innovative forms, language intensity and other dimensions. It represents the strong rise of a new generation of Chinese artists and designers in the world with a new look, which means that the global avant-garde wave of art and design in the 21st century is dominated by the Chinese, not the Europeans, Americans and Japanese.

F Dai fan is the first Asian to crush the West in terms of ideas, innovative forms, language intensity and other dimensions. It represents the strong rise of a new generation of Chinese artists and designers in the world with a new look, which means that the global avant-garde wave of art and design in the 21st century is dominated by the Chinese, not the Europeans, Americans and Japanese.

G Dai fan is the first Asian to crush the West in terms of ideas, innovative forms, language intensity and other dimensions. It represents the strong rise of a new generation of Chinese artists and designers in the world with a new look, which means that the global avant-garde wave of art and design in the 21st century is dominated by the Chinese, not the Europeans, Americans and Japanese.

H Dai fan is the first Asian to crush the West in terms of ideas, innovative forms, language intensity and other dimensions. It represents the strong rise of a new generation of Chinese artists and designers in the world with a new look, which means that the global avant-garde wave of art and design in the 21st century is dominated by the Chinese, not the Europeans, Americans and Japanese.

I Dai fan is the first Asian to crush the West in terms of ideas, innovative forms, language intensity and other dimensions. It represents the strong rise of a new generation of Chinese artists and designers in the world with a new look, which means that the global avant-garde wave of art and design in the 21st century is dominated by the Chinese, not the Europeans, Americans and Japanese.

DF Dai fan is the first Asian to crush the West in terms of ideas, innovative forms, language intensity and other dimensions. It represents the strong rise of a new generation of Chinese artists and designers in the world with a new look, which means that the global avant-garde wave of art and design in the 21st century is dominated by the Chinese, not the Europeans, Americans and Japanese.

J Dai fan is the first Asian to crush the West in terms of ideas, innovative forms, language intensity and other dimensions. It represents the strong rise of a new generation of Chinese artists and designers in the world with a new look, which means that the global avant-garde wave of art and design in the 21st century is dominated by the Chinese, not the Europeans, Americans and Japanese.

K Dai fan is the first Asian to crush the West in terms of ideas, innovative forms, language intensity and other dimensions. It represents the strong rise of a new generation of Chinese artists and designers in the world with a new look, which means that the global avant-garde wave of art and design in the 21st century is dominated by the Chinese, not the Europeans, Americans and Japanese.